![]() ![]() Ronaldo criticized Messi's move to the MLS recently after Al-Nassr suffered a 5-0 defeat in a friendly against Celta Vigo. In December, Ronaldo signed with Al-Nassr on a contract that runs through June 2025 and reportedly pays him up to $200 million annually. Did Cristiano Ronaldo sign with a Saudi Arabian team? Messi, instead, opted to sign July 15 with Inter Miami of the MLS, where he has already made a splash, scoring a free kick winner in the 94th minute of his debut with the club. PSG suspended and fined Messi two weeks for the matter. In May, Messi took an unauthorized trip to Saudi Arabia, which was part of a promotional tour with the country's office of tourism. The Saudi team, which is the rival team of Cristiano Ronaldo's current squad, Al-Nassr, had been trying to pry Messi away from Paris Saint-Germain. Did Al Hilal express interest in Lionel Messi? Mbappé was a key figure in France's 2018 World Cup victory, scoring a goal in the final over Croatia, but also starred in the most recent World Cup, winning the Golden Boot. Mbappé, 24, is widely considered to be one of the brightest young stars in global soccer because of his speed, ball control and finishing ability. PSG cut Mbappe from its preseason tour of Japan on Saturday, with the French club determined to sell him unless he can be convinced to sign a new contract. He has been widely linked to a move to Spanish giants Real Madrid. And Anderson’s backdrop, a kind of steroidally enhanced Frenchness reminiscent of films such as Belleville Rendez-Vous and Amélie, is rather lovely, if ultimately as far removed from reality as is the film’s romanticised view of journalism.Mbappé is in a contract dispute with PSG after he declined to take up the option of a 12-month extension on his deal. The travelogue – a bike-powered voyage to the dark side starring Owen Wilson, which takes in pickpockets, floating corpses and bands of renegade choirboys – has a bracing savagery that’s at odds with the film’s self-consciously charming aesthetic. The first section, a portrait of a criminally insane artist (Benicio del Toro), is a sly pleasure, not least because it’s narrated by Tilda Swinton as arts correspondent JKL Berensen, a fabulously glamorous creature with buck teeth, a tangerine evening dress and the tantalising hint of a scandalous past. Elsewhere, though, there is more to admire. It says something about Anderson’s hermetically sealed privilege that he can take something as essential as dissent and render it in a tonal palette that is all cutesy pastels and adorable kitsch, while neatly sidestepping any hint of politics. This is a tale of student protest, starring Frances McDormand as ace reporter Lucinda Krementz and Timothée Chalamet as Zeffirelli, the wild-haired, chess-playing, Gauloise-sucking student leader. And however engaging the film’s final story is – the most satisfying by no small margin a food review turned heist thriller narrated by and starring Jeffrey Wright at his most mellifluous and charming – patience will be sorely tried by the segment that comes before it. The problem with the anthology structure – the film is made of three discrete stories, each based on a feature article by one of the magazine’s star writers, plus a brief scene-setting travelogue that digs into the insalubrious corners of the town of Ennui-sur-Blasé – is that it’s almost inevitably uneven. ![]() But given that on a first viewing I found it to be among the most punchable films I have ever seen, the initial bar was lower than with some of Anderson’s other pictures. ![]() That is certainly the case with his latest, The French Dispatch, a showily starry portmanteau picture that takes as a jumping-off point the final issue of a supplement magazine for the fictional Liberty, Kansas Evening Sun newspaper. The films of Wes Anderson, with their intricately layered details and fanatically meticulous design, almost invariably reward a second viewing. ![]()
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