The Warp Stabilizer effect is not perfect but it does offer a number of fine-tuning options to dial in the best results possible. How to Reduce Shakiness in Premiere Pro Step 3: Fine-tune and correct the effect If the results are less than satisfactory, don’t worry, we can fine-tune the process and attempt to correct errors. If you’re lucky, you’ll see good results right away and be ready to move on. When Premiere has finished, your footage will now be stabilized. Choose from a handful of speeds to slow down or speed up your clip. Check out our list of the best laptops for video editing if you are in the market for a new computer. If Premiere really struggles with this step, you may be in need of more powerful hardware. Depending on the length of the clip and other factors such as exposure, analyzing the footage and applying the effect may take a while. This is a two-step process and it's all automatic. Next, Premiere will automatically analyze the footage and do its best to stabilize it. To apply the effect, all you need to do is drag it onto the clip. The following video quickly covers multiple methods for importing footage with Adobe Premiere Pro. The easiest is to drag and drop the files from a separate window. Footage can be imported into Premiere in a couple of different ways. The first step is to import your footage and load the shot you want to stabilize into the timeline. HOW TO STABILIZE A VIDEO IN PREMIERE PRO Step 1: Prepare your footage With all of this information in mind, we’re ready to jump into Premiere. Overexposed images and underexposed images will both be difficult for the editing program to analyze and are more likely to result in errors or an undesirable outcome. Properly exposing your footage is also key for any shots that you hope to stabilize in post. A shot with clearly defined edges will be easier to stabilize in post than a shot of something like a blank wall or a body of water that lacks easily definable spots for the editing software to track. To stabilize footage in post, the editing software needs to analyze each frame and identify certain data points to track their locations throughout the shot. If you don’t have any of these tools, you can still set yourself up for success in post by planning ahead and making smart decisions during the shoot that will make stabilizing easier and more effective. Use a tripod, gimbal, steadicam, or stabilizer on set to get the best results. It has been a lifesaver for me and a tool I was completely unaware of until a few weeks ago.The best way to get smooth footage is to ensure the footage is shot smoothly on set. I highly recommend giving this a try on your next project if you are looking for a faster alternative to editing your footage. While it takes a bit more time up front down sampling your high resolution files, it can be worth it in the long run as your editing process will be far smoother without the constant stop and go of your computer trying to keep up. This video by Adobe’s help team is the best tutorial I’ve found explaining the process. If you don’t have an incredibly fast and expensive computer to edit your footage on right now, this is an insanely good alternative that has saved me countless hours of time since. For example, you can create duplicate files of your 4K footage in 1080x720 resolution, edit in Premiere Pro using the low resolution 720p files, and then easily export in 4K or 1080p if desired linking back to the original footage. In simple terms, offline editing is the use of proxy footage (i.e., duplicate footage of the original source but at a far lower resolution) that is linked to the original media for export but allows you to use the for smaller resolution files while editing. My 2015 MacBook Pro has 16 GB of RAM, a 2.5 GHz Intel Core i7 processor, and NVIDIA GeForce GT 750M 2048 MB graphics card, which is no slouch but it definitely struggled at times as I worked through my edit.Ī friend suggested I use something in Adobe Premiere Pro called offline editing or proxies. Between my second camera operator and I, we produced well over 200 GB of 4K, 10-bit video footage that was very difficult to parse through while skipping several frames at a time during playback. I ran into this very same problem recently after shooting a promotional video for a local BBQ restaurant. Time to drop another $2,000–3,000 on a computer? Not so fast.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |